You should now be able to record onto a MIDI/instrument track with the keyboard, as well as controlling the mixer using the faders/dials when they're in Volume or Pan mode.Ĥ) Select the first port of the Launchkey as the Receive From and Send To ports:ĥ) Be sure to enable Send MIDI Clock, Use MIDI Clock Start and Send MIDI Timecode for arpeggiator use. 4) Select the 'New Keyboard' option, then set the 'Receive From' and 'Send to' options to the first port on your Launchkey. 3) Go to the 'External Devices' tab and click the 'Add' button. 2) Click the 'Studio One' menu at the top of the screen, then select Options. Set the 'Receive From' and 'Send To' options to the second port on the Launchkey (labelled 'MIDIIN2' and 'MIDIOUT2' on Windows and 'DAWl' on Mac) 1) Connect the Launchkey to your computer and open a song/project in Studio One. The Launchkey can now be used as a standard MIDI keyboard to record onto MIDI/instrument tracks.ġ) Click the 'Studio One' menu at the top of the screen, then select OptionsĢ) Go to the 'External Devices' tab and click the 'Add' buttonģ) Select the 'Mackie' > 'HUI' option on the left side. In Studio One, the Launchkey MK3 must be set up in 3 different ways so that you make use of DAW Control, the Arpeggiator, and the Keyboard.ġ) Connect the Launchkey to your computer and open a song/project in Studio OneĢ) Click the 'Studio One' menu at the top of the screen, then select Optionsģ) Go to the 'External Devices' tab and click the 'Add' buttonĤ) Select the 'New Keyboard' option, then set the 'Receive From' and 'Send to' options to the first port on your Launchkey:ġ5) Click OK. Applies to Launchkey Mini MK3, Launchkey MK3
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Section names, as in xkb_keycodes "name-here", are irrelevant at this point and can be omitted. C++ style comments, // till the end of line, are allowed. xkb file produced by xkbcomp(1) is a simple text file. Whenever possible, make the changes gradually and test them. Start with whatever default configuration your server has. There is only one possible action for each (keysym, state) pair. Actions do not generally affect keysyms, and generating a keysym is not an action. Keysym obtained from the table above can also trigger some action:įor XKB, setting or locking a modifier bit is an action, and so is any X server interaction like switching consoles, terminating the server, moving pointer etc. Making Ctrl+h combination generate Backspace keysym with no Control bit set is an XKB task, too, but it is much more difficult to implement than Control+Backspace. Alternatively, XKB can be used to make Ctrl+h combination generate Backspace keysym with Control bit set in this case, rxvt will not see any difference between physical Backspace key and h key as long as Ctrl key is pressed. This way rxvt will receive h keysym with Control bit set in the state value, and it will be clearly different from Backspace keysym. Generally it is XKB task to provide different keysyms, but states are handled later by individual applications.Īlso, states in XKB have somewhat delayed effect, that is, you must have the state set prior to pressing a key.Įxample: Ctrl+h can be configured to act as backspace in rxvt (application setting). In X terms, a and Ctrl+a means same keysym and different states, but a and A are different keysyms. For example, a typical alphanumeric key is only affected by Shift, so its type is set to TWO_LEVEL, and Types are used to tell which modifiers affect which keys essentially it is a way to reduce the third dimension of S. With S being the translation table (actually called xkb_symbols, see below). Internally, the translation involves additional steps: Group typically represents a "layout", as in US-English, French-AZERTY, Russian, Greek etc. XKB works mostly at the XLookupString stage, transforming incoming keycode into keysym according to its own internal state, which is group and state values: Keysyms are only important when an application expects some particular values typically that is keys like arrows, Enter, Backspace, F-keys, and various shortcuts. However, the number is what clients actually receive. A lot of them have names, declared in /usr/include/X11/keysymdef.h with KP_ prefix. Client applications typically only check the bits they need, so an application with normal keyboard input and Ctrl+key shortcuts usually makes no distinction between Control and Control+Mod3 states. The bits in the state field have pre-defined names: Shift, Lock, Control, Mod1, Mod2, Mod3, Mod4 and Mod5, lowest to highest. Keysym and corresponding string is what the client obtained using XLookupString(3) and friends. Keycode together with the state value is what X sends to the application in XKeyEvent(3) structure. The state represents modifier keys, 0x01 is Shift. Keycode 21 is what input device supplied to X, typically a physical key index of some sort. Note keycode 21, state 0x1 and keysym 0x2b aka plus. State 0x1, keycode 21 (keysym 0x2b, plus), same_screen YES, $ xev -event keyboard KeyPress event, serial 45, synthetic NO, window 0x2200001, Use xev (package xorg-xev) to get keycodes and to check how your keymap works. The core XKB functionality is quite simple, and it is necessary to have an idea on how it works before working on the keymaps. Also, there is no problem changing XKB configuration while X is running. Note that unlike standard system-wide configuration via nf(5), this is a per-user keymap. Test -f ~/.Xkeymap & xkbcomp ~/.Xkeymap $DISPLAY Once the layout is ready, save it as ~/.Xkeymap and make ~/.xinitrc load it on startup: It will, however, check the syntax and report errors. xkm file, without uploading anything to the server. Note that without $DISPLAY argument xkbcomp(1) will try to compile. To upload the data back to the server, run Use xkbcomp(1) (package xorg-xkbcomp) to manipulate XKB data. Note: Even if you faithfully recreate a working setxkbmap(1) command as an Xorg configuration file, it might not take effect at all due to Xorg bugs. Another way we could'veĭone it is instead of that, we could've said the And notice, it's multiplying, it's flipping it over the x-axis. Taking this entire expression and multiplying it by negative one. To the negative of f of x and we get that. Now, how would I flip it over the x-axis? Well the way that I would do that is I could define a g of x. And I wanna make it, make it minus two x. That's a nice one and actually let's justĪdd another term here. Higher-degree polynomial, so let's say it's x to the third minus two x squared. Let's say that f of x, let's give it a nice, Let's imagine something that'sĪ little bit more complex. Now, both examples that I just did, these are very simple expressions. That's going to be equal to e to the, instead of putting an x there, we will put a negative x. And then, how would weįlip it over the y-axis? Well, let's do an h of x. So negative e to the x power and indeed that is what happens. And if what we expect to happen happens, this will flip it over the x-axis. Now let's say that g of x isĮqual to negative e to the x. We have a very classic exponential there. Let's say, we tried thisįor e to the x power. And so that's why itįlips it over the y-axis. It now takes that value on the corresponding opposite value of x, and on the negative value of that x. So, whatever value theįunction would've taken on at a given value of x, But when x is equal to negative one, our original function wasn't defined there when x is equal to negative one, but if you take the negative of that, well now you're taking Principle root function is not defined for negative one. Now what about replacingĪn x with a negative x? Well, one way to think about it, now is, whenever you inputted one before, that would now be a negative one that you're trying toĮvaluate the principle root of and we know that the Is going to flip it over, flip its graph over the x-axis. So hopefully, that makes sense why putting a negative out front of an entire expression Of getting positive three, you now get negative three. Of getting positive two, you're now going to get negative two. When x is one, instead of one now, you're taking the negative of it so you're gonna get negative one. Gotten of the function before, you're now going to That's in the expression that defines a function, whatever value you would've Negative out in front, when you negate everything Now, why does this happen? Well, let's just start with the g of x. The x-axis and the y-axis to go over here. Outside the radical sign, and then, I'm gonna take the square root, and I'm gonna put a negative Know, k of x is equal to, so I'm gonna put the negative Well, we could do a, well, I'm running out of letters, maybe I will do a, I don't And then, pause this video, and think about how you If we replace it, that shifted it over the y-axis. Going to happen there? Well, let's try it out. Instead of putting the negative out in front of the radical sign, what if we put it under the radical sign? What if we replaced x with a negative x? What do you think is Now instead of doing that way, what if we had another function, h of x, and I'll start off by making When I put the negative, it looks like it flipped To happen when I do that? Well, let's just try it out. Put a negative out front right over there? What do you think is going But what would happen if instead of it just being the square root of x, what would happen if we So no surprise there, g of x was graphed right on top of f of x. Now, let's make another function, g of x, and I'll start off by also making that the square root of x. Had a function, f of x, and it is equal to the square root of x. Use this after this video, or even while I'm doing this video, but the goal here is to thinkĪbout reflection of functions. You can use it at, and I encourage you to Here, this is a screenshot of the Desmos online graphing calculator. We understand the allure of high-quality products without the premium price tag. 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Develop partnerships locally, regionally and internationally to develop artistic talent and contribute to the development of these emerging art forms.Drive economic growth and off- season tourism Full video registration of the performance at Mladi Levi Festival, Ljubljana on August 24, 2017.Grow and develop a regional and global reputation as a must see festival located in a world class destination.Promote learning in the areas of arts, science and technology.Showcase the beauty and uniqueness of Downtown Napa and the numerous historic buildings.Engage with residents and visitors through accessible, immersive, interactive, experiences. To be Innovative, Contemporary, Uplifting, Inspiring and Imaginative The Napa Lighted Art Festival has five core values: This walkable outdoor experience is FREE in Downtown Napa. The Napa Lighted Art Festival is a celebration of creative arts, technology, lights, and supports innovative techniques using light and light technologies as a growing art medium. This is a free public event for all ages. Lantern designs are to be inspired by your creativity and they are encouraged to be uplifting and imaginative! This short half-mile loop starting and finishing at Oxbow Commons Park is energized by live music by Funk Fatale and the featured artist, YOU! We invite community members to participate and create their own unique lantern to carry on the parade route. The Napa Lighted Art Festival Lantern Parade is a family-friendly "art after dark" experience that takes place in Downtown Napa. Lantern Parade Saturday, February 10th, 2024Ħ:30pm| Start and end at Oxbow Commons Park Projection artwork is back and will be displayed on 3 iconic downtown buildings for the first 9 nights of the festival. Bring the family and experience the magic of lighted art at the 2024 Napa Lighted Art Festival! The 2023 Festival Recap Videos can be found HERE! Projection Art January 20th - 28th This walkable outdoor experience is FREE in downtown Napa featuring 10 lighted art sculptures for five weeks and projection artwork on 3 iconic downtown buildings for the first 9 nights of the festival. The Napa Lighted Art Festival is a celebration of creative arts, technology and lights, and supports innovative techniques using light and light technologies as a growing art medium. Glass pumpkin making workshops and Halloween art zine workshops at Sunderland Culture, spooky pub quizzes, fright night cinema and a trick and treat trail through the Bridges are just some of the many events planned across the city.Ī range of free and paid for activities for children will take place across a number of locations including at Sunderland Museum and Winter Gardens and the National Glass Centre.Īnyone interested is advised to regularly check Sunderland BID’s website – for the details of the events happening each day.2024 Napa Lighted Art Festival January 20th- February 18th, 2024 Monday- Thursday 6-9pm | Friday - Sunday 6-10pm The festival will offer entertainment for all ages, culminating in a community parade bringing together groups from across the city on the final weekend. Lights Out is being created by Sunderland BID along with Sunderland City Council, the Bridges, Gentoo, University of Sunderland and Sunderland College. It will be Lights Out at the city of lights, as Sunderland prepares to welcome the spookiest festival the region has ever seen.įrom 25 October to 3 November the city will be alive with things that go bump in the night, scary installations and a range of family-frightening activities. Along with the TEXT MESSAGES, one can also have a VOICE CALL known as WhatsApp call, which is again very clear and uses a very little amount of internet. It is the easiest way to get connected with anyone, as it offers an extremely fast bridge of communication. Whatsapp as we all know is absolutely a boon for our society. Its Introduction in 2009 made it an extremely huge success, as now the connectivity amongst the person or group of people you admire is as easy as having a piece of cake. With the increase in the use of the internet comes social connectivity among people. Once you start using GBWhatsApp Pro Version, Then you never go back to the Typical Orignal WhatsApp Again. 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Franta returns to Czechoslovakia and finds his old girlfriend has married the neighbourhood jobsworth, has given birth to a child, and has taken over Barča, his dog. Knowing he has no future with Susan and wanting to preserve her honour, he pretends to have lost his way and asks directions to the next town. The raft emerges from the water, allowing Franta to survive.Īfterward, when the war is over, Franta drives to Susan's home, only to find her with her injured husband recently returned from fighting overseas. His life raft bursts as he tries to inflate it, so Karel tries to drop his own raft, but he flies too low and fatally crashes. Later in the war, while escorting American bombers, Franta's Spitfire malfunctions and he is forced to ditch into the ocean. Soon after, however, Karel learns a sort of love triangle has developed, with Susan being involved with Franta, which leads to a quarrel between the two friends. The latter begins to get attracted to Susan, although Karel believes that Susan is interested in him.įollowing a mission to France where the squadron attacks a train, Karel is shot down, but Franta lands and rescues him, a move that shows that their friendship endures. The next day, after returning to the aerodrome, Karel brings Franta to meet Susan. There he meets and falls in love with Susan (Tara Fitzgerald), although she thinks he is far too young. However, he manages to survive and find his way to a farm. While shooting down a Heinkel He 111 bomber, Karel's Spitfire fighter aircraft is shot down. Franta becomes the unit commander, with the younger Karel under his charge. After their first sortie they realise why the British have trained them so intensely: a young Czechoslovak nicknamed "Tom Tom" is shot down by a Messerschmitt Bf 109 and killed. The RAF is in such a dire need of pilots during the Battle of Britain that eventually the Czechoslovak airmen are allowed to fly. Karel also sees the compulsory English language lessons as a pointless waste of his time. The British make the Czechoslovaks retrain from the basics, which infuriates them, especially Karel, who is both impatient to fight the Germans and humiliated at being retaught what he already knows. However, Franta and his young friend Karel Vojtíšek (Kryštof Hádek), among others, refuse to submit to their occupiers and flee to the United Kingdom to join the RAF. After the invasion, the Czechoslovak Army is disbanded and its Air Force has to surrender its aircraft. His recollections of the war begin in 1939, just days prior to the German invasion of Czechoslovakia. In 1950, during the Cold War, František (Franta) Sláma (Ondřej Vetchý) is incarcerated in Czechoslovakia, because of his prior service in the RAF. British actors include Tara Fitzgerald, Charles Dance and Anna Massey. The film stars Czech actors Ondřej Vetchý, Kryštof Hádek and Oldřich Kaiser. The screenplay was written by Zdeněk Svěrák, the director's father. The script and performances are magnificent.Dark Blue World ( Czech: Tmavomodrý svět) is a 2001 film by Czech director Jan Svěrák, the Academy Award-winning director of Kolya, about Czech pilots who fought for the British Royal Air Force (RAF) during the Second World War. Yes, the mood and physical atmosphere are almost relentlessly dark (it needn't have been) The film is completely without humor, and it is much too slow moving. The rest of us are mesmerized as these troubled lives unfold on screen. This is tough to contemplate if you can't wait for your tomorrow's great triumph, or if you see romance as a smooth road to your personal paradise. The three main characters are stuck and seem to have no capacity for getting unstuck. This film might be quite tedious for those in a hurry to move on with their lives. A song popular during the second world war (a recent event in this film), has the line "we're caught between perdition and the deep blue sea." This is an apt description of the three protagonists. First, I think most people don't know where the title comes from. Simon Beale and Tom Hiddleston, the men in her life, are equally impressive performers playing equally limited (Beale) and troubled (Hiddleston) persons. Thus, Hester (played by a wonderful Rachel Weisz) can fascinate those of us who care about the inner working and emotional vicissitudes of a self destructive woman and who will learn about the human condition by considering her behavior. No one has come up with a satisfactory answer, not even a plausible one, and Freud leads the list of the clueless. Why people do things that hurt themselves is a intriguing question which fascinates psychologists and artists alike. This was not a movie for them, but it is a most superior film for older people who have seen people live torturous lives.
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